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Never before have I been forced to think about every single footstep and work out how to cross a field. This gamification of the simple act of walking is something I’ve never seen before. Looking out on the horizon, I must balance this moment-to-moment footwork with the longer ordeal of working out how I’m going to traverse this environment to get to my objective. Suddenly, I have to consciously think about where I place each and every footstep at the micro level. And because I’m carrying cargo – and therefore, weight – on my back, this has a profound effect on overall stability. My footsteps react to these changes, with even small rocks carrying the potential to throw me off balance. But Death Stranding takes the simple act of walking and elevates it to a functioning, fleshed-out mechanic.Įvery single square foot in Death Stranding has its own terrain height map which contains elevation data. You may have seen such inverse kinematics mechanics in games before wherein your character adjusts their legs as terrain changes (think Horizon Zero Dawn). Every single footstep, every square foot, every small rock must be carefully measured and considered. This simply isn’t the case in Death Stranding. Sure, you might have to look for some handholds to climb a mountain, but it’s not really a task you think about. By and large, you can traverse the world without much thought to your obstacles. As with many other games, traversing a game world is relatively straightforward: you push forward and move. Take, for example, the core mechanic in Death Stranding – walking from Point A to Point B. Rather, this vision is a result of all of these elements combined. And it’s not because of any one single element of the game like the graphics, the all-star cast, or the writing. Hideo Kojima has been described as video gaming's first auteur, a proposal with which I wholeheartedly agree.

It fails to recognize the singular point of the entire experience – connection.ĭeath Stranding is the single greatest example of games as art I have ever experienced.

But to simplify Death Stranding as “just a walking simulator” is woefully, catastrophically reductive. In a nutshell, that is the entire premise of Death Stranding. By connecting them to the Chiral Network – more on this jargon later – you and your compatriots stand a chance at rebuilding America. To that end, you are tasked with reconnecting America – literally – by traveling across the country and linking up disparate settlements and bringing them online. Rather, in its place is left a broken ghostly shell of what America used to be. This future America is physically broken, physically divided, and physically isolated. It is completely unrecognizable from the world we know today. Taking place after a catastrophic event known as the Death Stranding, America is left in ruins. In Death Stranding, you play as Sam Porter-Bridges, masterfully portrayed by Norman Reedus. To that end, this review will contain no spoilers.

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I know I was waiting for the PC version to hit in July this year, and therefore avoided any and all story spoilers.

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I realize that despite releasing on the PS4 last November, many of you still have yet to play Death Stranding.